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Ronelle Reid's Gallery

Ronelle Reid

I remember distinctly as a competitive 6-year-old, youngest child making it my mission to draw horses better than my sister. That was the beginning of my love of animals and art and animal art.

I spent my student years thinking about animals represented as objects in museums and their taxonomic catagorisation and preservation to be displayed in a timeless allegory of the life they had lead.

Then, after so many printmaking, painting and drawing classes, I finally achieved my Bachelor of Arts in Fine Arts with honors and was set free on the world to make art free range so to speak. I traveled, did some scholarships and was invincible, I was an artist….

Then the reality of living the artist’s life with no guidelines or safety net set in.  With bills to pay and no real idea of what I was doing. I fell into depression and stopped making art all together.

I was lost, but my love of animals remained. That same sister that I had to beat at drawing horses picked me up and took me to work with her to volunteer at RSPCA Queensland, offering me an opportunity to work in animal welfare. I wasn’t making art but I was making a difference to animals. I was offered a paid role and there I stayed among these amazing life savers doing all they can to help those animals I hold so dear to my heart

Over the last 20 years whilst working at RSPCA I have picked up my brushes and pencils and continued to make art. I have learned about the plight of animals and I now know that I can’t be a quiet observer any more. I have to tell their story in the best way I know, through my art practice.

Our planet is at a critical point; the extinction rate is ever increasing and the impact of humanity is taking its toll on the animal kingdom. Animals are being forced to adapt or disappear on this ever crowded planet, this impossible choice is leading to strange alliances being formed in order to survive. These symbiotic relationships have seen animals like coyotes and badgers who are both solitary hunters pairing up to increase the chance of a meal.

My work explores the notion of adaption and mutual partnerships with a somewhat tongue in cheek perspective of animal co-existence and habitat sharing. The rules of land, air and sea no longer apply with fish happily swimming in the antlers of a bongo antelope and butterflies fluttering around a moray eel. It refers to the finite situation the planet is in with extinction events happening faster today than ever before and Australia unfortunately leading the way with more extinct animals since colonisation than any other country.  

I primarily work on paper and canvas crossing over a number of mediums from oil and watercolor painting to drawing and printmaking.  

Awards and Recognition

Finalist- Naracoorte National Art Prize 2019


Bump in the Night- The Old Auction House, Kyneton Victoria, Group Exhibition 2019
Finalist- The Naracoorte National Art Prize, Naracoorte South Australia, Group Exhibition 2019
Diminutive- The Old Auction House, Kyneton Victoria, Group Exhibition 2019
Petite Pieces- Aspire Gallery- Brisbane, Group Exhibition 2019
Magnify- RAW showcase, The Met- Brisbane, Group Exhibition 2018
Animals in Society- The Blue Room- Brisbane, Group Exhibition 2008
Anthropomorphism- The Art Factory Gallery- Brisbane, Solo Exhibition 2007
Animals & Other Creatures- Baboa Gallery- Brisbane, Group Exhibition 2007

Exhibiting Galleries

More Info


My artwork has been purchased for private collections all over Australia and also internationally in New York, Los Angeles, Texas, Florida, London and Manila.


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Phone: +61 7 3252 3130

Head Office: 7/31 Thompson Street, Bowen Hills, QLD 4006, Australia
Postal: Art House Reproductions, P.O. Box 3105, Newstead, Queensland, 4006, Australia

Hours: (AEST)
Monday to Thursday - 8.30am to 4.30pm
Friday - 8.30am to 4.00pm.

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